EXIF - 22mm ISO 2000, SS 1/250, f2.8
Sony A7Rii, Lens - Tamron 17-28 f2.8
Title: SEEING RED
I clicked this at Chatsworth House palace. We went for a visit there and as we reached this room I noticed how the whole place was covered in red and it struck me that my son was wearing red on red too, which had originally irked me, but at this moment it really excited me. I waited for the right moment and just as he was studying the paintings, I clicked this image.
ALL YOU NEED IS LOVE
f/2.2, 1/450, ISO 100
Nikon D750; sigma 35mm f/1.4 ART
Title: Love is Love in the Highlands
I had the amazing opportunity to travel to Glencoe, Scotland to lead a mentoring session for three other photographers. The couple in this photo so graciously met us on this cold rainy day and braved the photoshoot in these gorgeous lace dresses while I directed them to show the other photographers how I use emotive prompts in my sessions.
ƒ/2.4 1/60s ISO160
Samsung Galaxy S10
Title: Life Lessons With Mr. Rogers
I decided to shoot a day in the life using my cell phone a couple of weeks into quarantine. I was trying to make my home a safe, calm place for my children in the midst of some pretty scary personal and global news, so I introduced them to Mr. Rogers Neighborhood. The way he talks about difficult situations gave all of us a sense of calm an clarity.
f/4.5, 1/60s, ISO1000
Fuji X-T20; fujifilm xc16-50mm f/3.5-f5.6 ois ii
I approached the processing of this image with color in mind. I had just watched a series that was pretty inspiring in its cinematography, and thought I would push my normal editing with some complementary colors. Deepening the actual "gray" of the building to that blue-green really made the neon sign pop, and I also loved the way the yellow lights glow against the walls of the building. It took the image from a kind of grim bar in the rain to something a little more gritty.
Title: Coney Island
The day I took this photo was an emotional day. Many years ago I spent some months in New York City, and the diverse, quirky and colorful beach of Coney Island has been an intense memory since. When I visited it again, this time with my family and a photographer friend from New York, the memories came back all of a sudden.
f/7.1, 1/500s, ISO 200
Fujifilm X-T2; FUJIFILM XF 16mm f/1.4 R WR
f/2.2, 1/200, ISO 160
Nikon D850; Sigma 35mm f/ 1.4 ART
I was five days Post-Op when I awoke to the reality that my body, which had housed four pregnancies and birthed three beautiful babies, was no longer capable of creating life. Of course, I knew this reality going into surgery, and weighed it heavily in my decision to proceed. But it didn't really hit my heart until afterwards. I was wombless. I took this self portrait that evening in hopes of helping me process my grief, and to document the raw reality of the pain I was feeling- both physically and emotionally.
NO PLACE LIKE HOME
f2.8, 1/200s, ISO 320
Nikon d850; Tamron SP 15-30mm f/2.8 Di VC USD
Title: Off to the Front Lines
This is an image of my husband in our mudroom, leaving for work through the garage door. My husband is a physician at one of the large university hospitals in the city, and so is considered an essential worker. During our state's shutdown, his leaving for work every day was a huge source of anxiety for me and the kids. With Covid cases increasing and so much unknown about the future, we worried about how his day would look, when we would see him again, and if he would contract the virus at work.
f/ 2.8, 1/80, ISO 400
CANON EOS 5D Mark iv; Canon EF 24-70mm
Title: Perfect on every side
When I created this double it became very emotional for me, because it evolved into a story about her. There is a quiet battle being waged in our home. It's a battle against self-doubt, anxiety, fear of loss, a sense of not being enough or ever giving enough. As hard as it is to believe, it's this girl we're fighting it for. She is amazing. She is a lover of the down-trodden, insightful, hard-working, creative, thoughtful, generous, and an A-student to name a few. She fills are home with music and dance. When I take a photo of her it is my hope that she will someday see that all of her is beautiful and worthy. I want her to face the camera and life with every side . There is no bad side.
f/4, 1/200s, ISO 2500
CANON EOS 5D Mark iv; Canon EF 28mm f/2.8
Title: Welcome To Spa Quarantine
This is an image out of a series of self-portraits made in hopes to better cope with the effects of isolation and the uncertainty during the time of the Covid-19 pandemic. It is with humor that I find it is so much easier to make it through rough times, even if that means pretending your bathroom is a spa or a cocktail lounge.
STORY IN STILL LIFE
ƒ/16, 1/250s, ISO 1250
Fuji X-T3; fujifilm XF18-55mmF2.8-4 R LM OIS
Title: Kaffee and a Tart
After 2 weeks vacationing in Italy and indulging in gelato and pizza, it was a shock to pay 3 times the price for an espresso once we arrived in Switzerland.
This image reminds me of our first coffee stop and how we picked, more wisely, what and where we ate for the remainder of the trip.
f/2.5, 1/400s, ISO 3200
CANON EOS 5D Mark iv; sigma 35mm f/ 1.4 ART
Title: At Home
This photograph shows how much my daughter has grown while also showcasing a part of our farmhouse. We have lived her just over a year but have had this farm & house in our hearts for over a decade.
I have had a lot of "pinch me" moments in the past year, that we get to be the stewards of this land and 218 year old farmhouse. So this image is more to me than just my daughter in a pretty yellow dress in our bathroom. It's a realized dream in motherhood and the meaning of home.
EXIF - f 6.3 1/160 ISO 500 and Profoto B10
Nikon z6 with Nikkor 50 mm 1.2 z mount
Title: Spring Break (at Home)
This was taken in our living room with my children, and myself while they were on spring break. All of our neighbors had gone to the beach, and my children were sad we were stuck at home, all while I was very deep in client work. I wanted to bring spring break irony to "home"
f/22, 1/40 sec, ISO- 2000, 18mm
Nikon D90 , Nikkor 18-105 mm F/3.5-5.6G ED VR Zoom lens
Title: Face Painting- Gajan Festival, West Bengal, India
"“Gajan” a Hindu folk festival is celebrated in different villages in West Bengal, India during the end of the month of “Chaitra” of the Bengali calendar. Kurmun, a small village in the Purba Bardhaman district of West Bengal magnificently celebrates this festival every year. During this festival, Shiva devotees named gajan sanyasi do several activities as a part of the celebration, gajan sanyasi paint their faces, body, and dance around the whole village through the village streets, and request some “Bhiksha” (offering) from the villagers.
I captured this photograph while devotees were painting their faces, drying their painted faces, bodies and watching themselves if the painting process is perfect or not for the festival celebration; I mixed inside that crowd of devotees and was capturing those moments, during that time I got this frame through my lens and clicked the image."
iso: 640, f: 2.0, 1/800 sec
Canon EOS 5D IV, Sigma Art 35mm
Title: Yesterday Remembered in Pink
I love the sharp angles and geometry of her make-up and her shirt and top and how the texture of the jacket softened her. I choose to shoot her with a pink back drop because I wanted the focus to be on her almost whimsical look off into the distance, almost a pop punk pink and girly recreation of The Thinker by Rodin. That statue is looking down and more contained in it composition, but I loved her looking into the light and the eyes up and too the left like she is remembering some long ago moment rather than deeply pondering.