left image: 1/10 sec, 7,1, ISO 640, 35mm
right image: 1/4 sec, 11, ISO 100, 35mm
Canon 6D
Eva Raduenzel | GERMANY
DIPTYCH
Title: WITH THE FLOW
Sometimes I take a creative walk with my camera. Without goal or reason I walk through the streets and let myself drift. On this day I had the urge to photograph yellow things with Slowshutter. The train was on my mind, the woman was a gift. Her flowing hair and the movement of the swan's wings inspired me to create a diptych.
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TWYLA JONES | USA
ALL YOU NEED IS LOVE
FINALISTS
f/2.2, 1/450, ISO 100
Nikon D750; sigma 35mm f/1.4 ART
Title: Love is Love in the Highlands
I had the amazing opportunity to travel to Glencoe, Scotland to lead a mentoring session for three other photographers. The couple in this photo so graciously met us on this cold rainy day and braved the photoshoot in these gorgeous lace dresses while I directed them to show the other photographers how I use emotive prompts in my sessions.
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OLesya alferenko
lindsay beros
mandalyn gilles
maryam salassi
dana ball
erin brant
crystal gonsalves
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clare barker wells
dIanne carroll burdick
ashley marston
fiona russell
laura barr
LESLIE CRANE
LAUREN WEBSTER | USA
BROKEN REALITY
FINALISTS
ƒ/2.4 1/60s ISO160
Samsung Galaxy S10
Title: Life Lessons With Mr. Rogers
I decided to shoot a day in the life using my cell phone a couple of weeks into quarantine. I was trying to make my home a safe, calm place for my children in the midst of some pretty scary personal and global news, so I introduced them to Mr. Rogers Neighborhood. The way he talks about difficult situations gave all of us a sense of calm an clarity.
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Nuzhat aziz ahmad
annmarie kopey
terri motraghi
fiona saxton
amy dangerfield
azure mahara
aly nickerson
divya wolf
angela douglas ramsey
wheaton mahoney
ute reckhorn
bethany sams
sally ann field
melina mcgrew
LARISSA LORD | USA
CINEMATIC
FINALISTS
f/4.5, 1/60s, ISO1000
Fuji X-T20; fujifilm xc16-50mm f/3.5-f5.6 ois ii
Title: BAR
I approached the processing of this image with color in mind. I had just watched a series that was pretty inspiring in its cinematography, and thought I would push my normal editing with some complementary colors. Deepening the actual "gray" of the building to that blue-green really made the neon sign pop, and I also loved the way the yellow lights glow against the walls of the building. It took the image from a kind of grim bar in the rain to something a little more gritty.
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SONYjA STICH | SPAIN
Title: Coney Island
The day I took this photo was an emotional day. Many years ago I spent some months in New York City, and the diverse, quirky and colorful beach of Coney Island has been an intense memory since. When I visited it again, this time with my family and a photographer friend from New York, the memories came back all of a sudden.
COLOR POP
FINALISTS
f/7.1, 1/500s, ISO 200
Fujifilm X-T2; FUJIFILM XF 16mm f/1.4 R WR
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MELISSA HAUGEN | USA
HER
FINALISTS
f/2.2, 1/200, ISO 160
Nikon D850; Sigma 35mm f/ 1.4 ART
Title: Wombless
I was five days Post-Op when I awoke to the reality that my body, which had housed four pregnancies and birthed three beautiful babies, was no longer capable of creating life. Of course, I knew this reality going into surgery, and weighed it heavily in my decision to proceed. But it didn't really hit my heart until afterwards. I was wombless. I took this self portrait that evening in hopes of helping me process my grief, and to document the raw reality of the pain I was feeling- both physically and emotionally.
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Hanna Hill-Destigter | CANADA
HUMAN FACE
FINALISTS
f/1.8, 1/250s, ISO500
CANON EOS 6D; Canon EF 35mm f/1.4L
Title: RAISING A CURIOUS DAUGHTER
This is a sweet little precocious baby girl who was so curious about the camera during their motherhood session.
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Megan Arndt | USA
NO PLACE LIKE HOME
FINALISTS
f2.8, 1/200s, ISO 320
Nikon d850; Tamron SP 15-30mm f/2.8 Di VC USD
Title: Off to the Front Lines
This is an image of my husband in our mudroom, leaving for work through the garage door. My husband is a physician at one of the large university hospitals in the city, and so is considered an essential worker. During our state's shutdown, his leaving for work every day was a huge source of anxiety for me and the kids. With Covid cases increasing and so much unknown about the future, we worried about how his day would look, when we would see him again, and if he would contract the virus at work.
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Ginger Livingston | USA
SEEING DOUBLE
FINALISTS
f/ 2.8, 1/80, ISO 400
CANON EOS 5D Mark iv; Canon EF 24-70mm
Title: Perfect on every side
When I created this double it became very emotional for me, because it evolved into a story about her. There is a quiet battle being waged in our home. It's a battle against self-doubt, anxiety, fear of loss, a sense of not being enough or ever giving enough. As hard as it is to believe, it's this girl we're fighting it for. She is amazing. She is a lover of the down-trodden, insightful, hard-working, creative, thoughtful, generous, and an A-student to name a few. She fills are home with music and dance. When I take a photo of her it is my hope that she will someday see that all of her is beautiful and worthy. I want her to face the camera and life with every side . There is no bad side.
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CASEY MCCAULEY | USA
SELF PORTRAIT
FINALISTS
f/4, 1/200s, ISO 2500
CANON EOS 5D Mark iv; Canon EF 28mm f/2.8
Title: Welcome To Spa Quarantine
This is an image out of a series of self-portraits made in hopes to better cope with the effects of isolation and the uncertainty during the time of the Covid-19 pandemic. It is with humor that I find it is so much easier to make it through rough times, even if that means pretending your bathroom is a spa or a cocktail lounge.
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Nella Sammartino | CANADA
STORY IN STILL LIFE
FINALISTS
ƒ/16, 1/250s, ISO 1250
Fuji X-T3; fujifilm XF18-55mmF2.8-4 R LM OIS
Title: Kaffee and a Tart
After 2 weeks vacationing in Italy and indulging in gelato and pizza, it was a shock to pay 3 times the price for an espresso once we arrived in Switzerland.
This image reminds me of our first coffee stop and how we picked, more wisely, what and where we ate for the remainder of the trip.
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Bethany Huckins | USA
TAKING SHAPE
FINALISTS
f/2.5, 1/400s, ISO 3200
CANON EOS 5D Mark iv; sigma 35mm f/ 1.4 ART
Title: At Home
This photograph shows how much my daughter has grown while also showcasing a part of our farmhouse. We have lived her just over a year but have had this farm & house in our hearts for over a decade.
I have had a lot of "pinch me" moments in the past year, that we get to be the stewards of this land and 218 year old farmhouse. So this image is more to me than just my daughter in a pretty yellow dress in our bathroom. It's a realized dream in motherhood and the meaning of home.
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SECOND PLACE
CANON EOS R
HANNA HILL | UK
Title: WAVES
The top image was from an incredible and powerful free birth of a first-time mom. She was feeling the waves of labor fast and sudden and struggled to accept that things would be progressing much faster than she expected. She fought it at first but the moment she released herself to accept baby would be born soon, you could feel the full calm come over her. Just like how the waves settle so peacefully after they crash on the shore. I paired these two together for their bold color and complimentary feelings of calm after chaos.
GEAR
SETTINGS
THIRD PLACE
Canon EOS 5D Mark III
Canon EF50mm f/1.2L USM (left)
Canon EF40mm f/2.8 STM (right)
SALLY ANN FIELD | USA
Title: VALENTINE"S DAY
Valentine's Day is from my series, DÚOS DE OAXACA. The vibrantly enchanting Oaxaca, Mexico was a visual feast. As I wandered the streets, I was inspired by the light, color, shapes, and stories playing out before me. As I photographed, I intentionally created vertical compositions, pairing the visuals in my mind and later by hand. The result is a travel diary where I add my visual voice to the narrative of each scene, allowing the images to carry on a conversation of their own.
GEAR
SETTINGS
FOURTH PLACE
f5.6, 1/320, ISO 1600
Sony A9, 35mm 1.8
Margaret Albaugh | USA
Title: Suburban Feral
This photo is part of a series called Suburban Uprise. A series of images were made in the June of 2020 and were paired together for this series of diptychs. The images were based on a poem I later wrote about this summer.
GEAR
SETTINGS
website
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