Nikon D610 with Nikkor 50mm 1.8G
Title: NOthING TO SAY
This image is basically parts of me reflected back in four mirrors that I placed together. It is an ongoing exploration of the feelings that I often have about not being whole, being segmented, not being able to show all of me at once, sometimes not even being able to recognise who the whole of myself is.
f/2.5 1/320 ISO1250
ALL YOU NEED IS LOVE
f/2.2, 1/450, ISO 100
Nikon D750; sigma 35mm f/1.4 ART
Title: Love is Love in the Highlands
I had the amazing opportunity to travel to Glencoe, Scotland to lead a mentoring session for three other photographers. The couple in this photo so graciously met us on this cold rainy day and braved the photoshoot in these gorgeous lace dresses while I directed them to show the other photographers how I use emotive prompts in my sessions.
ƒ/2.4 1/60s ISO160
Samsung Galaxy S10
Title: Life Lessons With Mr. Rogers
I decided to shoot a day in the life using my cell phone a couple of weeks into quarantine. I was trying to make my home a safe, calm place for my children in the midst of some pretty scary personal and global news, so I introduced them to Mr. Rogers Neighborhood. The way he talks about difficult situations gave all of us a sense of calm an clarity.
f/4.5, 1/60s, ISO1000
Fuji X-T20; fujifilm xc16-50mm f/3.5-f5.6 ois ii
I approached the processing of this image with color in mind. I had just watched a series that was pretty inspiring in its cinematography, and thought I would push my normal editing with some complementary colors. Deepening the actual "gray" of the building to that blue-green really made the neon sign pop, and I also loved the way the yellow lights glow against the walls of the building. It took the image from a kind of grim bar in the rain to something a little more gritty.
Title: Coney Island
The day I took this photo was an emotional day. Many years ago I spent some months in New York City, and the diverse, quirky and colorful beach of Coney Island has been an intense memory since. When I visited it again, this time with my family and a photographer friend from New York, the memories came back all of a sudden.
f/7.1, 1/500s, ISO 200
Fujifilm X-T2; FUJIFILM XF 16mm f/1.4 R WR
f/2.2, 1/200, ISO 160
Nikon D850; Sigma 35mm f/ 1.4 ART
I was five days Post-Op when I awoke to the reality that my body, which had housed four pregnancies and birthed three beautiful babies, was no longer capable of creating life. Of course, I knew this reality going into surgery, and weighed it heavily in my decision to proceed. But it didn't really hit my heart until afterwards. I was wombless. I took this self portrait that evening in hopes of helping me process my grief, and to document the raw reality of the pain I was feeling- both physically and emotionally.
NO PLACE LIKE HOME
f2.8, 1/200s, ISO 320
Nikon d850; Tamron SP 15-30mm f/2.8 Di VC USD
Title: Off to the Front Lines
This is an image of my husband in our mudroom, leaving for work through the garage door. My husband is a physician at one of the large university hospitals in the city, and so is considered an essential worker. During our state's shutdown, his leaving for work every day was a huge source of anxiety for me and the kids. With Covid cases increasing and so much unknown about the future, we worried about how his day would look, when we would see him again, and if he would contract the virus at work.
f/ 2.8, 1/80, ISO 400
CANON EOS 5D Mark iv; Canon EF 24-70mm
Title: Perfect on every side
When I created this double it became very emotional for me, because it evolved into a story about her. There is a quiet battle being waged in our home. It's a battle against self-doubt, anxiety, fear of loss, a sense of not being enough or ever giving enough. As hard as it is to believe, it's this girl we're fighting it for. She is amazing. She is a lover of the down-trodden, insightful, hard-working, creative, thoughtful, generous, and an A-student to name a few. She fills are home with music and dance. When I take a photo of her it is my hope that she will someday see that all of her is beautiful and worthy. I want her to face the camera and life with every side . There is no bad side.
f/4, 1/200s, ISO 2500
CANON EOS 5D Mark iv; Canon EF 28mm f/2.8
Title: Welcome To Spa Quarantine
This is an image out of a series of self-portraits made in hopes to better cope with the effects of isolation and the uncertainty during the time of the Covid-19 pandemic. It is with humor that I find it is so much easier to make it through rough times, even if that means pretending your bathroom is a spa or a cocktail lounge.
STORY IN STILL LIFE
ƒ/16, 1/250s, ISO 1250
Fuji X-T3; fujifilm XF18-55mmF2.8-4 R LM OIS
Title: Kaffee and a Tart
After 2 weeks vacationing in Italy and indulging in gelato and pizza, it was a shock to pay 3 times the price for an espresso once we arrived in Switzerland.
This image reminds me of our first coffee stop and how we picked, more wisely, what and where we ate for the remainder of the trip.
f/2.5, 1/400s, ISO 3200
CANON EOS 5D Mark iv; sigma 35mm f/ 1.4 ART
Title: At Home
This photograph shows how much my daughter has grown while also showcasing a part of our farmhouse. We have lived her just over a year but have had this farm & house in our hearts for over a decade.
I have had a lot of "pinch me" moments in the past year, that we get to be the stewards of this land and 218 year old farmhouse. So this image is more to me than just my daughter in a pretty yellow dress in our bathroom. It's a realized dream in motherhood and the meaning of home.
SS 1/125 F/2
Olympus E-M5 MarkII with Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens
It was such an unexpected gift to be pregnant with a fifth baby and it was a strange melange of feelings with happiness but uncertainty and a little bit of fear, wondering if I could go through another pregnancy and labor, and care for another precious life as well as I wanted. I captured some of those emotions in my first self portrait for this series and being able to come full circle, back in the same spot with my beautiful son in my arms with just pure joy, contentedness, and intimacy was special for me. I also wanted to capture his stage in life with his smallness and sharing a room together.
1/320, F4, ISO 320
Canon 5D Mark IV, Sigma 50mm 1.4 Art,
Title: starting the next load
The laundry line is wonderfully nostalgic. I have fond memories of running through the clothing and sheets my mother used to hang on the line. Our linens always smelled like fresh cut grass in the summer. When I saw the painting, More Clothes to Clean by George Hughes, I was immediately drawn to the story and juxtaposition. The challenge for me was choosing the right lens and settings to tell the story from my perspective. I intentionally focused on my daughter, with myself in the foreground slightly out of focus. Originally my intention was to have my daughter be the primary subject, and I would be the secondary. However I realized that this truly is the viewpoint of motherhood for me at this point in time. Often always secondary, trying to keep up and hold onto these fleeting moments.
ISO: 500 f/5 1/125sec
Canon 5D Mark IV, Sigma 50mm f/1.4ART
Title: Bridgerton but Make it 2021
The entire inspiration for the image was this corset that I found online. It had a total modern Bridgerton vibe to it. I fixed my hair and makeup to match the look of the corset. I took a few traditional portraits and then decided to be cheeky and add a couple modern touches. I bought some bubble gum and initially paired it with air pods but those weren't as noticeable so I decided to use the OG apple earbuds.