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Nikon D610 with Nikkor 50mm 1.8G

Katy Bindels | AUSTRALIA

Self Portrait

Title:  NOthING TO SAY

This image is basically parts of me reflected back in four mirrors that I placed together. It is an ongoing exploration of the feelings that I often have about not being whole, being segmented, not being able to show all of me at once, sometimes not even being able to recognise who the whole of myself is.

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f/2.5 1/320 ISO1250

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TWYLA JONES | USA

ALL YOU NEED IS LOVE

FINALISTS

f/2.2, 1/450, ISO 100

Nikon D750; sigma 35mm f/1.4 ART

Title: Love is Love in the Highlands

I had the amazing opportunity to travel to Glencoe, Scotland to lead a mentoring session for three other photographers. The couple in this photo so graciously met us on this cold rainy day and braved the photoshoot in these gorgeous lace dresses while I directed them to show the other photographers how I use emotive prompts in my sessions.

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OLesya alferenko

lindsay beros

mandalyn gilles

maryam salassi

dana ball

erin brant

crystal gonsalves

felise waxman

clare barker wells

dIanne carroll burdick

ashley marston

fiona russell

laura barr

LESLIE CRANE

LAUREN WEBSTER | USA

BROKEN REALITY

FINALISTS

ƒ/2.4 1/60s ISO160

Samsung Galaxy S10

Title: Life Lessons With Mr. Rogers

I decided to shoot a day in the life using my cell phone a couple of weeks into quarantine. I was trying to make my home a safe, calm place for my children in the midst of some pretty scary personal and global news, so I introduced them to Mr. Rogers Neighborhood. The way he talks about difficult situations gave all of us a sense of calm an clarity.

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Nuzhat aziz ahmad

annmarie kopey

terri motraghi

fiona saxton

amy dangerfield

azure mahara

aly nickerson

divya wolf

angela douglas ramsey

wheaton mahoney

ute reckhorn

bethany sams

sally ann field

melina mcgrew

LARISSA LORD | USA

CINEMATIC

FINALISTS

f/4.5, 1/60s, ISO1000

Fuji X-T20; fujifilm xc16-50mm f/3.5-f5.6 ois ii

Title: BAR

I approached the processing of this image with color in mind. I had just watched a series that was pretty inspiring in its cinematography, and thought I would push my normal editing with some complementary colors. Deepening the actual "gray" of the building to that blue-green really made the neon sign pop, and I also loved the way the yellow lights glow against the walls of the building. It took the image from a kind of grim bar in the rain to something a little more gritty.

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SONYjA STICH | SPAIN

Title: Coney Island

The day I took this photo was an emotional day. Many years ago I spent some months in New York City, and the diverse, quirky and colorful beach of Coney Island has been an intense memory since. When I visited it again, this time with my family and a photographer friend from New York, the memories came back all of a sudden.

COLOR POP

FINALISTS

f/7.1, 1/500s, ISO 200

Fujifilm X-T2; FUJIFILM XF 16mm f/1.4 R WR

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MELISSA HAUGEN | USA

HER

FINALISTS

f/2.2, 1/200, ISO 160

Nikon D850; Sigma 35mm f/ 1.4 ART

Title: Wombless

I was five days Post-Op when I awoke to the reality that my body, which had housed four pregnancies and birthed three beautiful babies, was no longer capable of creating life. Of course, I knew this reality going into surgery, and weighed it heavily in my decision to proceed. But it didn't really hit my heart until afterwards. I was wombless. I took this self portrait that evening in hopes of helping me process my grief, and to document the raw reality of the pain I was feeling- both physically and emotionally.

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Hanna Hill-Destigter | CANADA

HUMAN FACE

FINALISTS

f/1.8, 1/250s, ISO500

CANON EOS 6D; Canon EF 35mm f/1.4L

Title: RAISING A CURIOUS DAUGHTER

This is a sweet little precocious baby girl who was so curious about the camera during their motherhood session.

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Megan Arndt | USA

NO PLACE LIKE HOME

FINALISTS

f2.8, 1/200s, ISO 320

Nikon d850; Tamron SP 15-30mm f/2.8 Di VC USD

Title: Off to the Front Lines

This is an image of my husband in our mudroom, leaving for work through the garage door. My husband is a physician at one of the large university hospitals in the city, and so is considered an essential worker. During our state's shutdown, his leaving for work every day was a huge source of anxiety for me and the kids. With Covid cases increasing and so much unknown about the future, we worried about how his day would look, when we would see him again, and if he would contract the virus at work.

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Ginger Livingston | USA

SEEING DOUBLE

FINALISTS

f/ 2.8, 1/80, ISO 400

CANON EOS 5D Mark iv; Canon EF 24-70mm

Title: Perfect on every side

When I created this double it became very emotional for me, because it evolved into a story about her. There is a quiet battle being waged in our home. It's a battle against self-doubt, anxiety, fear of loss, a sense of not being enough or ever giving enough. As hard as it is to believe, it's this girl we're fighting it for. She is amazing. She is a lover of the down-trodden, insightful, hard-working, creative, thoughtful, generous, and an A-student to name a few. She fills are home with music and dance. When I take a photo of her it is my hope that she will someday see that all of her is beautiful and worthy. I want her to face the camera and life with every side . There is no bad side.

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CASEY MCCAULEY | USA

SELF PORTRAIT

FINALISTS

f/4, 1/200s, ISO 2500

CANON EOS 5D Mark iv; Canon EF 28mm f/2.8

Title: Welcome To Spa Quarantine

This is an image out of a series of self-portraits made in hopes to better cope with the effects of isolation and the uncertainty during the time of the Covid-19 pandemic. It is with humor that I find it is so much easier to make it through rough times, even if that means pretending your bathroom is a spa or a cocktail lounge.

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Nella Sammartino | CANADA

STORY IN STILL LIFE

FINALISTS

ƒ/16, 1/250s, ISO 1250

Fuji X-T3; fujifilm XF18-55mmF2.8-4 R LM OIS

Title: Kaffee and a Tart

After 2 weeks vacationing in Italy and indulging in gelato and pizza, it was a shock to pay 3 times the price for an espresso once we arrived in Switzerland.

This image reminds me of our first coffee stop and how we picked, more wisely, what and where we ate for the remainder of the trip.

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THEODORA Ofosuhima Agyeman-Anane | ITALY

STUDYING LIGHT

FINALISTS

ISO 400, f/1.8, ss 1000

CANON EOS 5D Mark iv; sigma 35mm 1.4

Title: Light In The Darkness

I was feeling overwhelmed by the idea of not being able to do what I'm created to do: writing and creating to glorify God. It all felt like bitter medicine in my mouth, it stays for a while but then it disappears. I went to the bedroom to rest in self-pity. As I sat on the bed I noticed the light pouring into the room. It reminded me of one my favourite Bible verses 'When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”’ John 8:12
 

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Bethany Huckins  | USA

TAKING SHAPE

FINALISTS

f/2.5, 1/400s, ISO 3200

CANON EOS 5D Mark iv; sigma 35mm f/ 1.4 ART

Title: At Home

This photograph shows how much my daughter has grown while also showcasing a part of our farmhouse. We have lived her just over a year but have had this farm & house in our hearts for over a decade. 

I have had a lot of "pinch me" moments in the past year, that we get to be the stewards of this land and 218 year old farmhouse. So this image is more to me than just my daughter in a pretty yellow dress in our bathroom. It's a realized dream in motherhood and the meaning of home.

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SECOND PLACE

SS 1/125 F/2

Olympus E-M5 MarkII with Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens

Hana Kim | USA

Title: Inseparable

It was such an unexpected gift to be pregnant with a fifth baby and it was a strange melange of feelings with happiness but uncertainty and a little bit of fear, wondering if I could go through another pregnancy and labor, and care for another precious life as well as I wanted. I captured some of those emotions in my first self portrait for this series and being able to come full circle, back in the same spot with my beautiful son in my arms with just pure joy, contentedness, and intimacy was special for me. I also wanted to capture his stage in life with his smallness and sharing a room together.

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SETTINGS

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THIRD  PLACE

1/320, F4, ISO 320

Canon 5D Mark IV, Sigma 50mm 1.4 Art,

Meg Loeks | USA

Title: starting the next load

The laundry line is wonderfully nostalgic. I have fond memories of running through the clothing and sheets my mother used to hang on the line. Our linens always smelled like fresh cut grass in the summer. When I saw the painting, More Clothes to Clean by George Hughes, I was immediately drawn to the story and juxtaposition. The challenge for me was choosing the right lens and settings to tell the story from my perspective. I intentionally focused on my daughter, with myself in the foreground slightly out of focus. Originally my intention was to have my daughter be the primary subject, and I would be the secondary. However I realized that this truly is the viewpoint of motherhood for me at this point in time. Often always secondary, trying to keep up and hold onto these fleeting moments.

GEAR

SETTINGS

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FOURTH  PLACE

ISO: 500 f/5 1/125sec

Canon 5D Mark IV, Sigma 50mm f/1.4ART

Alex Eischeid | USA

Title: Bridgerton but Make it 2021

The entire inspiration for the image was this corset that I found online. It had a total modern Bridgerton vibe to it. I fixed my hair and makeup to match the look of the corset. I took a few traditional portraits and then decided to be cheeky and add a couple modern touches. I bought some bubble gum and initially paired it with air pods but those weren't as noticeable so I decided to use the OG apple earbuds.

GEAR

SETTINGS

website

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Winners are also featured in the Winter issue of Click magazine.