CATEGORIES

CATEGORIES

CATEGORIES

CATEGORIES

Canon 6D , Sigma Art 35mm

Stephanie Entin | USA

THE YEAR 2020

Title:  Facing the unknown

This image is of a husband waiting to go into surgery with his wife, who was about to have a cesarean. I too was also dressed in scrubs in the room with him waiting to go into the operating room. I noticed how scared and worried he was, how he was praying and crying and saw this moment. There was a bathroom door there and I had to open it to get further back to take the image.

BEST IN CATEGORY

website

TWYLA JONES | USA

ALL YOU NEED IS LOVE

FINALISTS

f/2.2, 1/450, ISO 100

Nikon D750; sigma 35mm f/1.4 ART

Title: Love is Love in the Highlands

I had the amazing opportunity to travel to Glencoe, Scotland to lead a mentoring session for three other photographers. The couple in this photo so graciously met us on this cold rainy day and braved the photoshoot in these gorgeous lace dresses while I directed them to show the other photographers how I use emotive prompts in my sessions.

|   NEXT

PREVIOUS

OLesya alferenko

lindsay beros

mandalyn gilles

maryam salassi

dana ball

erin brant

crystal gonsalves

felise waxman

clare barker wells

dIanne carroll burdick

ashley marston

fiona russell

laura barr

LESLIE CRANE

LAUREN WEBSTER | USA

BROKEN REALITY

FINALISTS

ƒ/2.4 1/60s ISO160

Samsung Galaxy S10

Title: Life Lessons With Mr. Rogers

I decided to shoot a day in the life using my cell phone a couple of weeks into quarantine. I was trying to make my home a safe, calm place for my children in the midst of some pretty scary personal and global news, so I introduced them to Mr. Rogers Neighborhood. The way he talks about difficult situations gave all of us a sense of calm an clarity.

|   NEXT

PREVIOUS

Nuzhat aziz ahmad

annmarie kopey

terri motraghi

fiona saxton

amy dangerfield

azure mahara

aly nickerson

divya wolf

angela douglas ramsey

wheaton mahoney

ute reckhorn

bethany sams

sally ann field

melina mcgrew

LARISSA LORD | USA

CINEMATIC

FINALISTS

f/4.5, 1/60s, ISO1000

Fuji X-T20; fujifilm xc16-50mm f/3.5-f5.6 ois ii

Title: BAR

I approached the processing of this image with color in mind. I had just watched a series that was pretty inspiring in its cinematography, and thought I would push my normal editing with some complementary colors. Deepening the actual "gray" of the building to that blue-green really made the neon sign pop, and I also loved the way the yellow lights glow against the walls of the building. It took the image from a kind of grim bar in the rain to something a little more gritty.

|   NEXT

PREVIOUS

SONYjA STICH | SPAIN

Title: Coney Island

The day I took this photo was an emotional day. Many years ago I spent some months in New York City, and the diverse, quirky and colorful beach of Coney Island has been an intense memory since. When I visited it again, this time with my family and a photographer friend from New York, the memories came back all of a sudden.

COLOR POP

FINALISTS

f/7.1, 1/500s, ISO 200

Fujifilm X-T2; FUJIFILM XF 16mm f/1.4 R WR

|   NEXT

PREVIOUS

MELISSA HAUGEN | USA

HER

FINALISTS

f/2.2, 1/200, ISO 160

Nikon D850; Sigma 35mm f/ 1.4 ART

Title: Wombless

I was five days Post-Op when I awoke to the reality that my body, which had housed four pregnancies and birthed three beautiful babies, was no longer capable of creating life. Of course, I knew this reality going into surgery, and weighed it heavily in my decision to proceed. But it didn't really hit my heart until afterwards. I was wombless. I took this self portrait that evening in hopes of helping me process my grief, and to document the raw reality of the pain I was feeling- both physically and emotionally.

|   NEXT

PREVIOUS

Hanna Hill-Destigter | CANADA

HUMAN FACE

FINALISTS

f/1.8, 1/250s, ISO500

CANON EOS 6D; Canon EF 35mm f/1.4L

Title: RAISING A CURIOUS DAUGHTER

This is a sweet little precocious baby girl who was so curious about the camera during their motherhood session.

|   NEXT

PREVIOUS

Megan Arndt | USA

NO PLACE LIKE HOME

FINALISTS

f2.8, 1/200s, ISO 320

Nikon d850; Tamron SP 15-30mm f/2.8 Di VC USD

Title: Off to the Front Lines

This is an image of my husband in our mudroom, leaving for work through the garage door. My husband is a physician at one of the large university hospitals in the city, and so is considered an essential worker. During our state's shutdown, his leaving for work every day was a huge source of anxiety for me and the kids. With Covid cases increasing and so much unknown about the future, we worried about how his day would look, when we would see him again, and if he would contract the virus at work.

|   NEXT

PREVIOUS

Ginger Livingston | USA

SEEING DOUBLE

FINALISTS

f/ 2.8, 1/80, ISO 400

CANON EOS 5D Mark iv; Canon EF 24-70mm

Title: Perfect on every side

When I created this double it became very emotional for me, because it evolved into a story about her. There is a quiet battle being waged in our home. It's a battle against self-doubt, anxiety, fear of loss, a sense of not being enough or ever giving enough. As hard as it is to believe, it's this girl we're fighting it for. She is amazing. She is a lover of the down-trodden, insightful, hard-working, creative, thoughtful, generous, and an A-student to name a few. She fills are home with music and dance. When I take a photo of her it is my hope that she will someday see that all of her is beautiful and worthy. I want her to face the camera and life with every side . There is no bad side.

|   NEXT

PREVIOUS

CASEY MCCAULEY | USA

SELF PORTRAIT

FINALISTS

f/4, 1/200s, ISO 2500

CANON EOS 5D Mark iv; Canon EF 28mm f/2.8

Title: Welcome To Spa Quarantine

This is an image out of a series of self-portraits made in hopes to better cope with the effects of isolation and the uncertainty during the time of the Covid-19 pandemic. It is with humor that I find it is so much easier to make it through rough times, even if that means pretending your bathroom is a spa or a cocktail lounge.

|   NEXT

PREVIOUS

Nella Sammartino | CANADA

STORY IN STILL LIFE

FINALISTS

ƒ/16, 1/250s, ISO 1250

Fuji X-T3; fujifilm XF18-55mmF2.8-4 R LM OIS

Title: Kaffee and a Tart

After 2 weeks vacationing in Italy and indulging in gelato and pizza, it was a shock to pay 3 times the price for an espresso once we arrived in Switzerland.

This image reminds me of our first coffee stop and how we picked, more wisely, what and where we ate for the remainder of the trip.

|   NEXT

PREVIOUS

THEODORA Ofosuhima Agyeman-Anane | ITALY

STUDYING LIGHT

FINALISTS

ISO 400, f/1.8, ss 1000

CANON EOS 5D Mark iv; sigma 35mm 1.4

Title: Light In The Darkness

I was feeling overwhelmed by the idea of not being able to do what I'm created to do: writing and creating to glorify God. It all felt like bitter medicine in my mouth, it stays for a while but then it disappears. I went to the bedroom to rest in self-pity. As I sat on the bed I noticed the light pouring into the room. It reminded me of one my favourite Bible verses 'When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”’ John 8:12
 

|   NEXT

PREVIOUS

Bethany Huckins  | USA

TAKING SHAPE

FINALISTS

f/2.5, 1/400s, ISO 3200

CANON EOS 5D Mark iv; sigma 35mm f/ 1.4 ART

Title: At Home

This photograph shows how much my daughter has grown while also showcasing a part of our farmhouse. We have lived her just over a year but have had this farm & house in our hearts for over a decade. 

I have had a lot of "pinch me" moments in the past year, that we get to be the stewards of this land and 218 year old farmhouse. So this image is more to me than just my daughter in a pretty yellow dress in our bathroom. It's a realized dream in motherhood and the meaning of home.

|   NEXT

PREVIOUS

SECOND PLACE

ISO 1250 f 3.2 1/200

Canon R5, Sigma ART 24mm

Ashley marston | canada

Title: A Covid Christmas

Often when I am feeling BIG feelings, the first thing I know I need to do to help me process them is take a self portrait. Often Its challenging and I really dont want to, but afterwards I am always glad I did and even now almost a year later I look back on this image and I am right there sitting in that frustration and disappointment again. 
It is a great reminder that even though I was feeling all those feelings in that moment the holiday turned out to be one of our very best, despite the challenges of covid.

GEAR

SETTINGS

Website

THIRD  PLACE

f/5/ 1/200

Sony A7riii, 24-70 2.8 lens at 24mm

Janet Boyko | USA

Title: THIS TOO SHALL PASS

This image was made on September 9, 2020 in Belmont, California in the town where I live. It was deep into both the pandemic and the largest wildfire season recorded in modern California history. Smoke had been blanketing our region reducing air quality for days, but on September 9, the smoke layer became so dense that it blocked out the sun and it looked like night during midday. In fact, this photo was taken at 3:23pm. An orange glow made the area look like a scene from an apocalyptic movie. Many houses in our town put out messages of hope during the pandemic, but this one was particularly poignant on that eerie fall day.

GEAR

SETTINGS

website

FOURTH  PLACE

ISO 250 f/4 1/800

Canon Mark IV, Canon EF 24L

Bre Thurston | USA

Title: ENOUGH

On May 30th, 2020 I was visiting my friend who lived near the State Capital in Sacramento, CA. It was early on in the pandemic where everyone was already on edge, and then George Floyd happened. We heard that there would be a protest just blocks away so we grabbed our cameras, our masks, and walked to the Capital. This was one of the first major protests in the country outside of Minneapolis. There was thick tension in the air and I admit that I was shaking because it all felt ominous. There were masked and shielded police officers covering the perimeter. Someone threw a water bottle at them and I was afraid something awful would happen. We didn't stay very long, maybe an hour, but this image was taken during a beautiful moment. A white man wore a drum over his shoulders and a sign saying, "Stop Killing Black People". As he played, a group formed a circle around him and began to dance. These were two of the people standing on the edge of the circle, watching.

GEAR

SETTINGS

website

Nuzhat Ahmad x2
Janet Boyko
Liz Celeste
Emma Collins x2
Kelley Dallas x2
Emily Flodstrom
Susan Gibbs
Isabella Görloff
Amanda Hammons
Jipeng Han
Zephyre Hood
Emily Ingalls
Meg Loeks
Ann Mangum
Lauren Materacky
Melinda McIntyre

Kelly Mohun
Bre Thurston
Lisa Winner

GET THE ISSUE

HOSTED BY

A network for the ambitious female photographer

LEARN MORE

Winners are also featured in the Winter issue of Click magazine.